‘PRINCE OF BROADWAY’ at the Samuel J. Friedman Theater (in previews; opens on Aug. 24). Manhattan Theater Club gives the celebrated director and producer Harold Prince a regal retrospective. Mr. Prince and his co-director, the choreographer Susan Stroman, put a cast that includes Chuck Cooper, Emily Skinner, Brandon Uranowitz, Tony Yazbeck and Karen Ziemba through its high-kicking paces. The composer Jason Robert Brown contributes orchestrations, arrangements and a few new songs.
THE RED LETTER PLAYS at the Pershing Square Signature Center (previews start on Aug. 22 and 29; open on Sept. 11 and 17). Signature Theater presents a study in scarlet as it revives Suzan-Lori Parks’s two reworkings of Nathaniel Hawthorne’s “The Scarlet Letter.” The first play, which has a profane title, is a hallucinatory revenge tragedy about a woman named Hester who performs abortions; Jo Bonney directs. The second, “In the Blood,” directed by Sarah Benson, centers on a contemporary Hester, an impoverished mother desperate for help with her five children.
‘THE SUITCASE UNDER THE BED’ at the Beckett Theater at Theater Row (in previews; opens on Aug. 24). The romance between the Mint Theater Company and the neglected Irish playwright Teresa Deevy is still going strong. Having produced three of her full-length plays, the Mint now offers an evening of four one-acts, directed by Jonathan Bank. The plays explore questions of desire, disappointment and everyday dreams.
‘THE GOVERNMENT INSPECTOR’ at New World Stages (closes on Aug. 20). “The Government Inspector,” an adaptation of Nikolai Gogol’s ageless comedy of small-town venality, earns its final guffaws. Ben Brantley described this badly behaved Red Bull show as “delicious” and “rollicking,” calling its star, Michael Urie, “a path-clearing cyclone of silliness.”
‘MARVIN’S ROOM’ at the American Airlines Theater (closes on Aug. 27). The Roundabout Theater Company’s revival of Scott McPherson’s 1991 play about illness, death and wig styling goes to its final rest. Jesse Green praised Anne Kauffman’s thoughtful direction and the keen performances of Lili Taylor and Janeane Garofalo, but called the production itself “fatally mild.”
‘NAPOLI, BROOKLYN’ at the Laura Pels Theater at the Harold and Miriam Steinberg Center for Theater (closes on Aug. 27). Meghan Kennedy’s drama about three Italian-American sisters in 1960s Brooklyn will serve its final Feast of the Seven Fishes. Jesse Green called this play, which hinges on a historical disaster, “very eventful, often sweet but ultimately overwrought,” praising Alyssa Bresnahan’s “smoldering-volcano performance” as the family matriarch.
‘ON YOUR FEET!’ at the Marquis Theater (closes on Aug. 20). It’s time to turn the beat around as this jukebox musical celebrating the lives, love and back catalogs of Gloria and Emilio Estefan prepares for its Broadway close. The Times noted that this “flashy, salsa-splashed show,” with a book by Alexander Dinelaris, “neatly showcases the boppy dance-floor hits and swoony ballads.”
‘A PARALLELOGRAM’ at the Tony Kiser Theater (closes on Aug. 20). Bruce Norris’s play about a young woman (Celia Keenan-Bolger) who meets her future self (Anita Gillette) via an especially high-tech remote control is ending its run. While Jesse Green praised Michael Greif’s “sleek production,” he described the play as “not only a nonstarter but a nonender; it’s a red herring that swallows its own tail.”